Photograpy and word. Gijón.Spain. La escapada. À bout de souffle.Breathless ( film 1960)
A veces las fotos buscan un título " La escapada", o encuentran un título, que también nos puede dirigir a otro significado.
En este caso la foto de una persona, sola en el mar, haciendo paddle surf con Gijón de fondo nos recuerda a ese afán de disfrutar el fin de semana haciendo deporte y, a su vez, tiene el significado de volver a las raíces, a la casa familiar siquiera sean esos dos días que hacen un fin de semana.
Pero, también, se puede producir el reflejo de recordar algo, en este caso una antigua película.
En ( google translate)
Sometimes the pictures look for a title "break" or find a title, and we also can lead to another meaning.
In this case the picture of a person, alone at sea, making paddle surfing Gijon background reminds us that desire to enjoy the weekend playing sports and, in turn, has the meaning of returning to the roots, even the family home are the two days that make a weekend.
But also can produce the reflection to remember something, in this case an old movie.
En ( google translate)
Sometimes the pictures look for a title "break" or find a title, and we also can lead to another meaning.
In this case the picture of a person, alone at sea, making paddle surfing Gijon background reminds us that desire to enjoy the weekend playing sports and, in turn, has the meaning of returning to the roots, even the family home are the two days that make a weekend.
But also can produce the reflection to remember something, in this case an old movie.
Breathless (French: À bout de souffle; "out of breath") is a 1960 French film written and directed by Jean-Luc Godard about a wandering criminal (Jean-Paul Belmondo) and his American girlfriend (Jean Seberg). It was Godard's first feature-length work and represented Belmondo's breakthrough as an actor.
Breathless was one of the earliest, most influential examples of French New Wave (nouvelle vague) cinema. Together with François Truffaut's The 400 Blows and Alain Resnais's Hiroshima, Mon Amour,
both released a year earlier, it brought international acclaim to this
new style of French filmmaking. At the time, the film attracted much
attention for its bold visual style, which included unconventional use
of jump cuts.